Description
RACHEL JARRATT circa 1760
A sampler from the collection of the Fitzwilliam Museum in Cambridge, England
Skill and expertise in sampler-making did not necessarily peak in the mid-to-late seventeenth century and then wane during what is often called the “golden age” of English sampler-making. These skills and techniques survived and reemerged in samplers to the present day. This reproduction is a perfect example of skills transcending the centuries. It was a reproduction of sorts when it was first created. At first glance, it appears to have been made in the seventeenth century with its long, narrow shape and variety of stitches, but on closer inspection, one can detect some elements of later techniques. The floral and geometric pattern bands are not as intensely stitched are a bit broader and bolder and more open. It is a bit too studied and balanced (earlier band samplers were not necessarily intended for display, more as pattern records; hence, the patterns were not always symmetrical.) This sampler might have been made to be framed and displayed. The date, of course, is the giveaway. It was made in the 1760s, perhaps under the tutelage of a teacher who researched earlier samplers, admired the work, and inspired this respect and admiration in her pupil, Rachel Jarratt.
At the center is a peculiar variation of Adam and Eve, only instead of those familiar figures we have two “boxers” in their traditional pugnacious stance. Another interesting variation on a theme is the geometric counted satin stitched area toward the bottom- a traditional whitework design only here it has been executed in pink. Stitches used in the sampler include cross, counted thread satin, stem filling, detached buttonhole, double running, queen, bullion knots, and Florentine (bargello). The original sampler included a section of cut and drawn work and hollie point, which has not been reproduced.
The finished reproduction stitched on 32 count linen will measure approximately 6″ x 27-1/2″, and is recommended for more advanced needleworkers
Reproduced by the Scarlet Letter.
Appletons 103 Crewel Wool Purple
Au Ver a Soie 206 Soie d Alger
Polygon Quilts Pattern, Sampou J
FARM FUN PATTERN 900
Appletons 145 Crewel Wool Dull Rose Pink
Au Ver a Soie 146 Soie d Alger
Canna - Made My Day - Toffee
Sue Spargo Ellana #12 EN04 Grey Flannel
Appliq Ndles Long No: 9 15/pk PKT
Au Ver a Soie 133 Soie d Alger
#7305 Stranded Silk by Cascade House Embroidery
Au Ver a Soie 204 Soie d Alger
Appletons 153 Crewel Wool Mid Blue
Sue Spargo Ellana #12 EN20 Cloud
Au Ver a Soie 221 Soie d Alger
Au Ver a Soie 224 Soie d Alger
Au Ver a Soie 232 Soie d Alger
Rough Draft - Made My Day - Sunshine
Appletons 121 Crewel Wool Terra Cotta
Au Ver a Soie 144 Soie d Alger
Au Ver a Soie 112 Soie d Alger
Au Ver a Soie 136 Soie d Alger
Classic Colorworks CCT-003 Bamboo
Appletons 125 Crewel Wool Terra Cotta
Sue Spargo Ellana #12 EN10 Spring Leaf
Classic Colorworks CCT-004 Black Coffee
Appletons 141 Crewel Wool Dull Rose Pink
Appletons 128 Crewel Wool Terra Cotta
Au Ver a Soie 116 Soie d Alger
Kingston Fat Quarter 56 Count White Linen
Appletons 102 Crewel Wool Purple
Au Ver a Soie 163 Soie d Alger
Appletons 148 Crewel Wool Dull Rose Pink
Appletons 149 Crewel Wool Dull Rose Pink
Au Ver a Soie 124 Soie d Alger
Appletons 101 Crewel Wool Purple
Long Darners Asst Sz 3/9 6/pk PKT
Sue Spargo Ellana #12 EN03 Fog
AROUND TOWN 102 ROAD SIGNS
Londonderry Linen Thread 100/3 Ivory 50m
Sue Spargo Ellana #12 EN14 Peridot
Au Ver a Soie 235 Soie d Alger
Alison Glass Eleganza Perle #8 EZ2101 Auburn
150 SUNSHINE- TULA PINK TRUE CO
Rachel Jarratt 1760 

