Description
RACHEL JARRATT circa 1760
A sampler from the collection of the Fitzwilliam Museum in Cambridge, England
Skill and expertise in sampler-making did not necessarily peak in the mid-to-late seventeenth century and then wane during what is often called the “golden age” of English sampler-making. These skills and techniques survived and reemerged in samplers to the present day. This reproduction is a perfect example of skills transcending the centuries. It was a reproduction of sorts when it was first created. At first glance, it appears to have been made in the seventeenth century with its long, narrow shape and variety of stitches, but on closer inspection, one can detect some elements of later techniques. The floral and geometric pattern bands are not as intensely stitched are a bit broader and bolder and more open. It is a bit too studied and balanced (earlier band samplers were not necessarily intended for display, more as pattern records; hence, the patterns were not always symmetrical.) This sampler might have been made to be framed and displayed. The date, of course, is the giveaway. It was made in the 1760s, perhaps under the tutelage of a teacher who researched earlier samplers, admired the work, and inspired this respect and admiration in her pupil, Rachel Jarratt.
At the center is a peculiar variation of Adam and Eve, only instead of those familiar figures we have two “boxers” in their traditional pugnacious stance. Another interesting variation on a theme is the geometric counted satin stitched area toward the bottom- a traditional whitework design only here it has been executed in pink. Stitches used in the sampler include cross, counted thread satin, stem filling, detached buttonhole, double running, queen, bullion knots, and Florentine (bargello). The original sampler included a section of cut and drawn work and hollie point, which has not been reproduced.
The finished reproduction stitched on 32 count linen will measure approximately 6″ x 27-1/2″, and is recommended for more advanced needleworkers
Reproduced by the Scarlet Letter.
Appletons 106 Crewel Wool Purple
Sue Spargo Ellana #12 EN17 Blue Spruce
Au Ver a Soie 122 Soie d Alger
Au Ver a Soie 232 Soie d Alger
Au Ver a Soie 233 Soie d Alger
Au Ver a Soie 126 Soie d Alger
Sewline Fabric Pencil - pink lead
Elizabeth Anderson 1775 by Gigi R Designs
Au Ver a Soie 221 Soie d Alger
Early Birds - Outline - Blue
Au Ver a Soie 124 Soie d Alger
Au Ver a Soie 142 Soie d Alger
Polygon Quilts Pattern, Sampou J
Au Ver a Soie 206 Soie d Alger
Appletons 128 Crewel Wool Terra Cotta
Appletons 101 Crewel Wool Purple
NATURAL FIBRES 45% Cotton 55% Linen
True Colours - Tent Stripe - Iris
Gentle Art Sampler Threads 0114 Silver Fern
Appletons 145 Crewel Wool Dull Rose Pink
Au Ver a Soie 163 Soie d Alger
True Colours - Tent Stripe - Agave
Early Birds - Kere
Sue Spargo Ellana #12 EN15 Sagebrush
Weeks Dye Works Perle 5 - Onyx #1304
Classic Colorworks CCT-013 Finley Gold
Appletons 123 Crewel Wool Terra Cotta
10" Regular Stretcher Bars
Overlocker Needle Threader
Appletons 153 Crewel Wool Mid Blue
Au Ver a Soie 136 Soie d Alger
Au Ver a Soie 114 Soie d Alger
Au Ver a Soie 133 Soie d Alger
Appletons 141 Crewel Wool Dull Rose Pink
Appletons 105 Crewel Wool Purple
Au Ver a Soie 204 Soie d Alger
Sue Spargo Ellana #12 EN12 Avocado
FARM FUN PATTERN 900
Au Ver a Soie 235 Soie d Alger
LARGE SPOTS 104 Light Pink
Au Ver a Soie 144 Soie d Alger
Love Hue - Made My Day - Forever
Au Ver a Soie 143 Soie d Alger
Sue Spargo Ellana #12 EN11 Artichoke Heart
Au Ver a Soie 161 Soie d Alger
Appletons 122 Crewel Wool Terra Cotta
Sue Spargo Ellana #12 EN24 Primrose
Sue Spargo Ellana #12 EN03 Fog
Stripes Black
Au Ver a Soie 116 Soie d Alger 
