Description
RACHEL JARRATT circa 1760
A sampler from the collection of the Fitzwilliam Museum in Cambridge, England
Skill and expertise in sampler-making did not necessarily peak in the mid-to-late seventeenth century and then wane during what is often called the “golden age” of English sampler-making. These skills and techniques survived and reemerged in samplers to the present day. This reproduction is a perfect example of skills transcending the centuries. It was a reproduction of sorts when it was first created. At first glance, it appears to have been made in the seventeenth century with its long, narrow shape and variety of stitches, but on closer inspection, one can detect some elements of later techniques. The floral and geometric pattern bands are not as intensely stitched are a bit broader and bolder and more open. It is a bit too studied and balanced (earlier band samplers were not necessarily intended for display, more as pattern records; hence, the patterns were not always symmetrical.) This sampler might have been made to be framed and displayed. The date, of course, is the giveaway. It was made in the 1760s, perhaps under the tutelage of a teacher who researched earlier samplers, admired the work, and inspired this respect and admiration in her pupil, Rachel Jarratt.
At the center is a peculiar variation of Adam and Eve, only instead of those familiar figures we have two “boxers” in their traditional pugnacious stance. Another interesting variation on a theme is the geometric counted satin stitched area toward the bottom- a traditional whitework design only here it has been executed in pink. Stitches used in the sampler include cross, counted thread satin, stem filling, detached buttonhole, double running, queen, bullion knots, and Florentine (bargello). The original sampler included a section of cut and drawn work and hollie point, which has not been reproduced.
The finished reproduction stitched on 32 count linen will measure approximately 6″ x 27-1/2″, and is recommended for more advanced needleworkers
Reproduced by the Scarlet Letter.
Au Ver a Soie 143 Soie d Alger
Au Ver a Soie 112 Soie d Alger
Au Ver a Soie 122 Soie d Alger
Au Ver a Soie 232 Soie d Alger
Au Ver a Soie 135 Soie d Alger
Au Ver a Soie 146 Soie d Alger
Au Ver a Soie 144 Soie d Alger
Au Ver a Soie 235 Soie d Alger
Weeks Dye Works Perle 5 - Chestnut #1269
Appletons 123 Crewel Wool Terra Cotta
Classic Colorworks CCT-020 Lettuce Leaf
#4775 Stranded Silk by Cascade House Embroidery
Appletons 106 Crewel Wool Purple
Appletons 153 Crewel Wool Mid Blue
Au Ver a Soie 224 Soie d Alger
Au Ver a Soie 221 Soie d Alger
Appletons 149 Crewel Wool Dull Rose Pink
Appletons 148 Crewel Wool Dull Rose Pink
Au Ver a Soie 133 Soie d Alger
Schmetz Super Stretch Needles 90/14
Au Ver a Soie 126 Soie d Alger
Au Ver a Soie 114 Soie d Alger
Sue Spargo Ellana #12 EN10 Spring Leaf
Appletons 145 Crewel Wool Dull Rose Pink
Appletons 128 Crewel Wool Terra Cotta
Sue Spargo Ellana #12 EN19 Seaspray
DMC 3813 Perle #12
Cashel Fat Quarter 28 Count White Linen
AROUND TOWN 102 ROAD SIGNS
Appletons 142 Crewel Wool Dull Rose Pink
Appletons 101 Crewel Wool Purple
Tula Pink Daydreamer - Forbidden Fruit Snacks - Kiwi
Au Ver a Soie 206 Soie d Alger
Sue Spargo Ellana #12 EN24 Primrose
Appletons 127 Crewel Wool Terra Cotta
DMC 4050 Colour Variation 8m
AIDA Fat Quarter 16 Count White
Kingston Fat Quarter 55 Count Cream Linen
Gentle Art Sampler Threads 0220 Morning Glory
Au Ver a Soie 233 Soie d Alger
ALISON GLASS SUN PRINTS 2020 127 GREY
Classic Colorworks CCT-013 Finley Gold
Au Ver a Soie 124 Soie d Alger 
