Description
RACHEL JARRATT circa 1760
A sampler from the collection of the Fitzwilliam Museum in Cambridge, England
Skill and expertise in sampler-making did not necessarily peak in the mid-to-late seventeenth century and then wane during what is often called the “golden age” of English sampler-making. These skills and techniques survived and reemerged in samplers to the present day. This reproduction is a perfect example of skills transcending the centuries. It was a reproduction of sorts when it was first created. At first glance, it appears to have been made in the seventeenth century with its long, narrow shape and variety of stitches, but on closer inspection, one can detect some elements of later techniques. The floral and geometric pattern bands are not as intensely stitched are a bit broader and bolder and more open. It is a bit too studied and balanced (earlier band samplers were not necessarily intended for display, more as pattern records; hence, the patterns were not always symmetrical.) This sampler might have been made to be framed and displayed. The date, of course, is the giveaway. It was made in the 1760s, perhaps under the tutelage of a teacher who researched earlier samplers, admired the work, and inspired this respect and admiration in her pupil, Rachel Jarratt.
At the center is a peculiar variation of Adam and Eve, only instead of those familiar figures we have two “boxers” in their traditional pugnacious stance. Another interesting variation on a theme is the geometric counted satin stitched area toward the bottom- a traditional whitework design only here it has been executed in pink. Stitches used in the sampler include cross, counted thread satin, stem filling, detached buttonhole, double running, queen, bullion knots, and Florentine (bargello). The original sampler included a section of cut and drawn work and hollie point, which has not been reproduced.
The finished reproduction stitched on 32 count linen will measure approximately 6″ x 27-1/2″, and is recommended for more advanced needleworkers
Reproduced by the Scarlet Letter.
AIDA Fat Quarter 14 Count Antique White
Confetti Cottons - Riley White 1011
Bobbin B33/B3
Sue Spargo Ellana #12 EN24 Primrose
FARM FUN PATTERN 900
Sue Spargo Ellana #12 EN01 Pearl Grey
Au Ver a Soie 142 Soie d Alger
Appletons 153 Crewel Wool Mid Blue
Stripes Black
Appletons 105 Crewel Wool Purple
Au Ver a Soie 146 Soie d Alger
Appletons 124 Crewel Wool Terra Cotta
Appletons 128 Crewel Wool Terra Cotta
Sewline Trio Colors Fabric Pencil
Au Ver a Soie 114 Soie d Alger
Au Ver a Soie 163 Soie d Alger
8" Regular Stretcher Bars
Classic Colorworks CCT-024 Pink Posey
Au Ver a Soie 122 Soie d Alger
DMC 225 Diamant Grande Old Rose
Au Ver a Soie 133 Soie d Alger
Sue Spargo Ellana #12 EN18 Lagoon
Sue Spargo Ellana #12 EN14 Peridot
Au Ver a Soie 144 Soie d Alger
Sue Spargo Ellana #12 EN07 Oceanfront
Sue Spargo Ellana #12 EN19 Seaspray
Au Ver a Soie 124 Soie d Alger
Appletons 102 Crewel Wool Purple
Au Ver a Soie 221 Soie d Alger
Appletons 125 Crewel Wool Terra Cotta
Au Ver a Soie 204 Soie d Alger
Appletons 127 Crewel Wool Terra Cotta
Gentle Art Sampler Threads 0115 Tiger Lily
Au Ver a Soie 135 Soie d Alger
Sue Spargo Ellana #12 EN10 Spring Leaf
Floba Natural
Londonderry Linen 18/3 White 1890 40m
Polygon Quilts Pattern, Sampou J
Au Ver a Soie 206 Soie d Alger 

