Description
RACHEL JARRATT circa 1760
A sampler from the collection of the Fitzwilliam Museum in Cambridge, England
Skill and expertise in sampler-making did not necessarily peak in the mid-to-late seventeenth century and then wane during what is often called the “golden age” of English sampler-making. These skills and techniques survived and reemerged in samplers to the present day. This reproduction is a perfect example of skills transcending the centuries. It was a reproduction of sorts when it was first created. At first glance, it appears to have been made in the seventeenth century with its long, narrow shape and variety of stitches, but on closer inspection, one can detect some elements of later techniques. The floral and geometric pattern bands are not as intensely stitched are a bit broader and bolder and more open. It is a bit too studied and balanced (earlier band samplers were not necessarily intended for display, more as pattern records; hence, the patterns were not always symmetrical.) This sampler might have been made to be framed and displayed. The date, of course, is the giveaway. It was made in the 1760s, perhaps under the tutelage of a teacher who researched earlier samplers, admired the work, and inspired this respect and admiration in her pupil, Rachel Jarratt.
At the center is a peculiar variation of Adam and Eve, only instead of those familiar figures we have two “boxers” in their traditional pugnacious stance. Another interesting variation on a theme is the geometric counted satin stitched area toward the bottom- a traditional whitework design only here it has been executed in pink. Stitches used in the sampler include cross, counted thread satin, stem filling, detached buttonhole, double running, queen, bullion knots, and Florentine (bargello). The original sampler included a section of cut and drawn work and hollie point, which has not been reproduced.
The finished reproduction stitched on 32 count linen will measure approximately 6″ x 27-1/2″, and is recommended for more advanced needleworkers
Reproduced by the Scarlet Letter.
Appletons 127 Crewel Wool Terra Cotta
Au Ver a Soie 122 Soie d Alger
Sue Spargo Ellana #12 EN02 Latte
Sue Spargo Ellana #12 EN06 Charcoal
Au Ver a Soie 133 Soie d Alger
Sue Spargo Ellana #12 EN16 Pine Needle
BY ANNIES Mesh fabric- Pewter
Appletons 153 Crewel Wool Mid Blue
Au Ver a Soie 112 Soie d Alger
Au Ver a Soie 114 Soie d Alger
Appletons 105 Crewel Wool Purple
Embroidery-Crewel Needle No: 6 PKT
Appletons 121 Crewel Wool Terra Cotta
Sue Spargo Ellana #12 EN13 Electric Lime
Polygon Quilts Pattern, Sampou J
Au Ver a Soie 144 Soie d Alger
Appletons 141 Crewel Wool Dull Rose Pink
Sashiko Needles Assorted 8/pk PKT
Au Ver a Soie 124 Soie d Alger
Insulbrite
ELEMENTS PATTERN 101
AROUND TOWN 105 PATTERN
Appletons 143 Crewel Wool Dull Rose Pink
Au Ver a Soie 206 Soie d Alger
Appletons 142 Crewel Wool Dull Rose Pink
Au Ver a Soie 221 Soie d Alger
Btween needles No: 9 20/pk PKT
Appletons 128 Crewel Wool Terra Cotta
NATURAL FIBRES 45% Cotton 55% Linen
Love Lily - I Heart Flowers - Surf
Embroidery-Crewel Needles No: 7 PKT
Au Ver a Soie 224 Soie d Alger
Appletons 151 Crewel Wool Mid Blue
Pattern FFF - SLOWPOKE THE SLOTH
Appletons 152 Crewel Wool Mid Blue
Appletons 148 Crewel Wool Dull Rose Pink
Au Ver a Soie 226 Soie d Alger
Appletons 123 Crewel Wool Terra Cotta
Au Ver a Soie 143 Soie d Alger
Appletons 102 Crewel Wool Purple
AROUND TOWN 102 ROAD SIGNS
Classic Colorworks CCT-003 Bamboo
Confetti Cottons - Riley White 1011
Au Ver a Soie 204 Soie d Alger
92009-55 - ELEMENTS
Sue Spargo Ellana #12 EN04 Grey Flannel
Au Ver a Soie 232 Soie d Alger 


