Description
RACHEL JARRATT circa 1760
A sampler from the collection of the Fitzwilliam Museum in Cambridge, England
Skill and expertise in sampler-making did not necessarily peak in the mid-to-late seventeenth century and then wane during what is often called the “golden age” of English sampler-making. These skills and techniques survived and reemerged in samplers to the present day. This reproduction is a perfect example of skills transcending the centuries. It was a reproduction of sorts when it was first created. At first glance, it appears to have been made in the seventeenth century with its long, narrow shape and variety of stitches, but on closer inspection, one can detect some elements of later techniques. The floral and geometric pattern bands are not as intensely stitched are a bit broader and bolder and more open. It is a bit too studied and balanced (earlier band samplers were not necessarily intended for display, more as pattern records; hence, the patterns were not always symmetrical.) This sampler might have been made to be framed and displayed. The date, of course, is the giveaway. It was made in the 1760s, perhaps under the tutelage of a teacher who researched earlier samplers, admired the work, and inspired this respect and admiration in her pupil, Rachel Jarratt.
At the center is a peculiar variation of Adam and Eve, only instead of those familiar figures we have two “boxers” in their traditional pugnacious stance. Another interesting variation on a theme is the geometric counted satin stitched area toward the bottom- a traditional whitework design only here it has been executed in pink. Stitches used in the sampler include cross, counted thread satin, stem filling, detached buttonhole, double running, queen, bullion knots, and Florentine (bargello). The original sampler included a section of cut and drawn work and hollie point, which has not been reproduced.
The finished reproduction stitched on 32 count linen will measure approximately 6″ x 27-1/2″, and is recommended for more advanced needleworkers
Reproduced by the Scarlet Letter.
Au Ver a Soie 116 Soie d Alger
Au Ver a Soie 136 Soie d Alger
DMC 3852 Diamant Grande Gold
Au Ver a Soie 114 Soie d Alger
Sue Spargo Ellana #12 EN12 Avocado
Au Ver a Soie 161 Soie d Alger
Appletons 153 Crewel Wool Mid Blue
Appletons 101 Crewel Wool Purple
Sashiko Needles Assorted 8/pk PKT
Tabby Road Deja Vu - Eek - Electroberry
Sewline Aqua Eraser
Sue Spargo Ellana #12 EN14 Peridot
Au Ver a Soie 143 Soie d Alger
Sue Spargo Ellana #12 EN07 Oceanfront
19" Regular Stretcher Bars
Appletons 121 Crewel Wool Terra Cotta
DMC B5200 Stranded Cotton
CLOVER CHACO LINER BLUE
Love Hue - Made My Day - Always PWAH166
Appletons 124 Crewel Wool Terra Cotta
Sue Spargo Ellana #12 EN24 Primrose
Au Ver a Soie 235 Soie d Alger
Au Ver a Soie 144 Soie d Alger
Sue Spargo Ellana #12 EN16 Pine Needle
Classic Colorworks CCT-004 Black Coffee
Au Ver a Soie 234 Soie d Alger
Sue Spargo Ellana #12 EN04 Grey Flannel
Appletons 127 Crewel Wool Terra Cotta
Au Ver a Soie 122 Soie d Alger
Au Ver a Soie 204 Soie d Alger
Gentle Art Sampler Threads 0115 Tiger Lily
Au Ver a Soie 163 Soie d Alger
Sue Spargo Ellana #12 EN03 Fog
Au Ver a Soie 126 Soie d Alger
DMC 842 Perle #12
Au Ver a Soie 146 Soie d Alger
LARGE SPOTS 104 Light Pink
Appletons 128 Crewel Wool Terra Cotta
Appletons 143 Crewel Wool Dull Rose Pink
Appletons 149 Crewel Wool Dull Rose Pink
Appletons 148 Crewel Wool Dull Rose Pink
Bunny In Carrot Bed Felt Mini Kit
Au Ver a Soie 124 Soie d Alger
Sue Spargo Ellana #12 EN22 Raspberry
NATURAL FIBRES 45% Cotton 55% Linen
Coreopsis - Made My Day - Shadow
Cheer - Made My Day - Forest
Cashel Fat Quarter 28 Count Antique White Linen 

