Description
Those familiar with the Hands Across the Sea Samplers’ portfolio will recognise the names of the sisters Ann and Isabella Uffindell. It was whilst we were reproducing the sisters that Ruth Bates found us.
A sampler, badly in need of cleaning and repair that was stitched by a Ruth Bates when she was just eight years old, came up for auction. Ruth’s sampler had so many similarities to Isabella’s that there had to be a connection. We were able to make contact with one of Ruth’s descendants, a medieval archivist who had some information on the family’s history. Ruth was born in Plaistow, London, on August 16, 1815 to Joseph Bates and Esther Bates, née Cartwright.
The most interesting rabbit hole that Ruth’s sampler took us down was how Isabella and Ruth came to stitch two similar samplers six years apart at a time when children were educated in many different ways, or not at all, depending on their parents’ financial situation, social class, religion, and values?
We believe the connection is the governess Elizabeth Bates, Ruth’s unmarried paternal aunt. Whilst Ruth’s father was alive it would have been natural for his unmarried sister to live with the family and assist with the care and education of his young daughters. Elizabeth probably taught Ruth to stitch using her own childhood sampler to work from.
Ruth’s father died whilst she was still a young girl. Her mother, in reduced circumstances and living off an annuity, moved the family from Plaistow into a smaller house in St Leonard’s, Shoreditch. An area popular with nonconformist families and a very short distance from Finsbury and the Uffindells.
It is possible that there was not enough space for Elizabeth to continue to live with the family and without her brother’s financial support, she had to seek work as a governess. On the 1841 census Elizabeth was recorded as lodging with the Uffindells.
The Uffindells were not in the financial position or class to employ a governess but it is possible that when Elizabeth was not teaching her charges, she spent some of her leisure time teaching Isabella and Ann needlework, either through kindness or as part payment towards her rent. This would explain why Ruth and Isabella’s samplers have so many similarities.
The design is suitable for intermediate and advanced needleworkers but is not beyond a determined beginner. The stitches used are cross stitch over 1 and 2 threads and satin stitch.
Au Ver a Soie 143 Soie d Alger
Au Ver a Soie 232 Soie d Alger
Au Ver a Soie 234 Soie d Alger
Gentle Art Sampler Threads 0111 Sea Spray
30's Playtime - Growing Garden - Eggshell/Scarlett
Au Ver a Soie 144 Soie d Alger
Classic Colorworks CCT-024 Pink Posey
Au Ver a Soie 116 Soie d Alger
Batting Wool Blend 80/20
Au Ver a Soie 126 Soie d Alger
DMC 799 Perle #3
Au Ver a Soie 224 Soie d Alger
A Bee C
Au Ver a Soie 163 Soie d Alger
Gentle Art Sampler Threads 0230 Blueberry
Au Ver a Soie 142 Soie d Alger
Au Ver a Soie 114 Soie d Alger
Sew Gnomes
Early Birds - Outline - Blue
Filmoplast Embroidery Stabilizer
Au Ver a Soie 112 Soie d Alger
DMC 415 Diamant Silver 35m
QUILT BACKS 104
Au Ver a Soie 233 Soie d Alger
DMC 718 Stranded Cotton
Hannah Hammonds Work 1845 by Gigi R Designs
Au Ver a Soie 206 Soie d Alger
Au Ver a Soie 124 Soie d Alger
Gentle Art Sampler Threads 0160 Willow
Au Ver a Soie 146 Soie d Alger
Gentle Art Sampler Threads 0114 Silver Fern
Sue Spargo Ellana #12 EN11 Artichoke Heart
DMC 775 Stranded Cotton
What Colour is an Elephant? pattern
bernette Overlocker b48
Brass Thumb Tacks and Remover
Au Ver a Soie 235 Soie d Alger
DMC 703 Stranded Cotton
Isabella Fox 1827 by Gigi R Designs
Classic Colorworks CCT-020 Lettuce Leaf
118 MYRTL - TRUE COLOURS
Permin 140/28 Natural Undyed
Au Ver a Soie 135 Soie d Alger 

