Description
Those familiar with the Hands Across the Sea Samplers’ portfolio will recognise the names of the sisters Ann and Isabella Uffindell. It was whilst we were reproducing the sisters that Ruth Bates found us.
A sampler, badly in need of cleaning and repair that was stitched by a Ruth Bates when she was just eight years old, came up for auction. Ruth’s sampler had so many similarities to Isabella’s that there had to be a connection. We were able to make contact with one of Ruth’s descendants, a medieval archivist who had some information on the family’s history. Ruth was born in Plaistow, London, on August 16, 1815 to Joseph Bates and Esther Bates, née Cartwright.
The most interesting rabbit hole that Ruth’s sampler took us down was how Isabella and Ruth came to stitch two similar samplers six years apart at a time when children were educated in many different ways, or not at all, depending on their parents’ financial situation, social class, religion, and values?
We believe the connection is the governess Elizabeth Bates, Ruth’s unmarried paternal aunt. Whilst Ruth’s father was alive it would have been natural for his unmarried sister to live with the family and assist with the care and education of his young daughters. Elizabeth probably taught Ruth to stitch using her own childhood sampler to work from.
Ruth’s father died whilst she was still a young girl. Her mother, in reduced circumstances and living off an annuity, moved the family from Plaistow into a smaller house in St Leonard’s, Shoreditch. An area popular with nonconformist families and a very short distance from Finsbury and the Uffindells.
It is possible that there was not enough space for Elizabeth to continue to live with the family and without her brother’s financial support, she had to seek work as a governess. On the 1841 census Elizabeth was recorded as lodging with the Uffindells.
The Uffindells were not in the financial position or class to employ a governess but it is possible that when Elizabeth was not teaching her charges, she spent some of her leisure time teaching Isabella and Ann needlework, either through kindness or as part payment towards her rent. This would explain why Ruth and Isabella’s samplers have so many similarities.
The design is suitable for intermediate and advanced needleworkers but is not beyond a determined beginner. The stitches used are cross stitch over 1 and 2 threads and satin stitch.
Au Ver a Soie 232 Soie d Alger
Madeira PolyNeon 1787
Au Ver a Soie 124 Soie d Alger
Little Gems Silver Scissors By Kelmscott Designs
DMC 972 Stranded Cotton
Cattle Drive - Tooling- Green
DMC 01 Stranded Cotton
Sue Spargo Ellana #12 EN24 Primrose
Weeks Dye Works 1134 Cherub
Au Ver a Soie 204 Soie d Alger
Classic Colorworks CCT-14 Ginger Snap
BEYOND THE GARDEN WALL
92009-55 - ELEMENTS
Au Ver a Soie 233 Soie d Alger
Au Ver a Soie 4153 Soie d Alger
Au Ver a Soie 126 Soie d Alger
DMC 809 Stranded Cotton
FARM FUN PATTERN 900
Au Ver a Soie 226 Soie d Alger
Boho Cloth - Weave - Hip
Au Ver a Soie 2926 Soie d Alger
Au Ver a Soie 641 Soie d Alger
DMC 817 Stranded Cotton
DMC 666 Perle #12
DMC 830 Stranded Cotton
Mettler Metrosene 35
Appletons 153 Crewel Wool Mid Blue
PWTP254.Piglet Space Sprinkles, Full Moon Forest II by Tula Pink
Delilah - Floral Bunches - Yellow
Classic Colorworks CCT-020 Lettuce Leaf
Appletons 121 Crewel Wool Terra Cotta
Au Ver a Soie 133 Soie d Alger 


