Description
Those familiar with the Hands Across the Sea Samplers’ portfolio will recognise the names of the sisters Ann and Isabella Uffindell. It was whilst we were reproducing the sisters that Ruth Bates found us.
A sampler, badly in need of cleaning and repair that was stitched by a Ruth Bates when she was just eight years old, came up for auction. Ruth’s sampler had so many similarities to Isabella’s that there had to be a connection. We were able to make contact with one of Ruth’s descendants, a medieval archivist who had some information on the family’s history. Ruth was born in Plaistow, London, on August 16, 1815 to Joseph Bates and Esther Bates, née Cartwright.
The most interesting rabbit hole that Ruth’s sampler took us down was how Isabella and Ruth came to stitch two similar samplers six years apart at a time when children were educated in many different ways, or not at all, depending on their parents’ financial situation, social class, religion, and values?
We believe the connection is the governess Elizabeth Bates, Ruth’s unmarried paternal aunt. Whilst Ruth’s father was alive it would have been natural for his unmarried sister to live with the family and assist with the care and education of his young daughters. Elizabeth probably taught Ruth to stitch using her own childhood sampler to work from.
Ruth’s father died whilst she was still a young girl. Her mother, in reduced circumstances and living off an annuity, moved the family from Plaistow into a smaller house in St Leonard’s, Shoreditch. An area popular with nonconformist families and a very short distance from Finsbury and the Uffindells.
It is possible that there was not enough space for Elizabeth to continue to live with the family and without her brother’s financial support, she had to seek work as a governess. On the 1841 census Elizabeth was recorded as lodging with the Uffindells.
The Uffindells were not in the financial position or class to employ a governess but it is possible that when Elizabeth was not teaching her charges, she spent some of her leisure time teaching Isabella and Ann needlework, either through kindness or as part payment towards her rent. This would explain why Ruth and Isabella’s samplers have so many similarities.
The design is suitable for intermediate and advanced needleworkers but is not beyond a determined beginner. The stitches used are cross stitch over 1 and 2 threads and satin stitch.
Appletons 143 Crewel Wool Dull Rose Pink
Au Ver a Soie 144 Soie d Alger
Appletons 102 Crewel Wool Purple
Appletons 149 Crewel Wool Dull Rose Pink
Sew Easy Fabric Marker - Blue
Appletons 145 Crewel Wool Dull Rose Pink
Au Ver a Soie 146 Soie d Alger
Brass Thumb Tacks and Remover
Au Ver a Soie 234 Soie d Alger
Appletons 141 Crewel Wool Dull Rose Pink
Bridget Power 1840 by Gigi R Designs
Appletons 152 Crewel Wool Mid Blue
Weeks Dye Works 2120 Capri
Tulip Tapestry Needles #22
Sue Spargo LN37 Very Berry Wool Solid
Au Ver a Soie 122 Soie d Alger
Au Ver a Soie 135 Soie d Alger
Au Ver a Soie 163 Soie d Alger
Weeks Dye Works 1334 Merlot
Classic Colorworks CCT-024 Pink Posey
Au Ver a Soie 142 Soie d Alger
Fairy Tale Pin Cushions - Sleeping Beauty by Tiny Modernist Inc
Letters to Santa Envelopes
Appletons 127 Crewel Wool Terra Cotta
Appletons 142 Crewel Wool Dull Rose Pink
Appletons 144 Crewel Wool Dull Rose Pink
Classic Colorworks CCT-14 Ginger Snap
Sue Spargo Ellana #12 EN09 Amazon Green
Appletons 122 Crewel Wool Terra Cotta
Appletons 126 Crewel Wool Terra Cotta
Sue Spargo Ellana #12 EN05 Slate
Sue Spargo Ellana #12 EN10 Spring Leaf
Mettler Metrosene 348
Classic Colorworks CCT-003 Bamboo 


