Description
Those familiar with the Hands Across the Sea Samplers’ portfolio will recognise the names of the sisters Ann and Isabella Uffindell. It was whilst we were reproducing the sisters that Ruth Bates found us.
A sampler, badly in need of cleaning and repair that was stitched by a Ruth Bates when she was just eight years old, came up for auction. Ruth’s sampler had so many similarities to Isabella’s that there had to be a connection. We were able to make contact with one of Ruth’s descendants, a medieval archivist who had some information on the family’s history. Ruth was born in Plaistow, London, on August 16, 1815 to Joseph Bates and Esther Bates, née Cartwright.
The most interesting rabbit hole that Ruth’s sampler took us down was how Isabella and Ruth came to stitch two similar samplers six years apart at a time when children were educated in many different ways, or not at all, depending on their parents’ financial situation, social class, religion, and values?
We believe the connection is the governess Elizabeth Bates, Ruth’s unmarried paternal aunt. Whilst Ruth’s father was alive it would have been natural for his unmarried sister to live with the family and assist with the care and education of his young daughters. Elizabeth probably taught Ruth to stitch using her own childhood sampler to work from.
Ruth’s father died whilst she was still a young girl. Her mother, in reduced circumstances and living off an annuity, moved the family from Plaistow into a smaller house in St Leonard’s, Shoreditch. An area popular with nonconformist families and a very short distance from Finsbury and the Uffindells.
It is possible that there was not enough space for Elizabeth to continue to live with the family and without her brother’s financial support, she had to seek work as a governess. On the 1841 census Elizabeth was recorded as lodging with the Uffindells.
The Uffindells were not in the financial position or class to employ a governess but it is possible that when Elizabeth was not teaching her charges, she spent some of her leisure time teaching Isabella and Ann needlework, either through kindness or as part payment towards her rent. This would explain why Ruth and Isabella’s samplers have so many similarities.
The design is suitable for intermediate and advanced needleworkers but is not beyond a determined beginner. The stitches used are cross stitch over 1 and 2 threads and satin stitch.
Au Ver a Soie 206 Soie d Alger
Au Ver a Soie 221 Soie d Alger
DMC 640 Perle #12
Classic Colorworks CCT-013 Finley Gold
Au Ver a Soie 135 Soie d Alger
DMC 18 Stranded Cotton
Pattern fff - Lloyd Lama and Alice Alpaca
Au Ver a Soie 136 Soie d Alger
Classic Colorworks CCT-020 Lettuce Leaf
DMC 645 Perle #5
PQW Feather Templates
Au Ver a Soie 224 Soie d Alger
Misc. Fabric
DMC 977 Stranded Cotton
Pansy Pincushion
Gentle Art Sampler Threads 0130 Avocado
NATURAL FIBRES 45% Cotton 55% Linen
DMC 3772 Stranded Cotton
Au Ver a Soie 161 Soie d Alger
Au Ver a Soie 543 100/3
Jolly and Bright - Redwork Ornaments
By Annie - Zipper 40" - Tangerine
Madeira PolyNeon 1996
Au Ver a Soie 234 Soie d Alger
Ultimate Sashiko Sourcebook by Susan Briscoe
Au Ver a Soie 146 Soie d Alger
LARGE SPOTS 110 Navy
DMC 321 Diamant Red 35m
Au Ver a Soie 096 100/3
Au Ver a Soie 163 Soie d Alger
8" Regular Stretcher Bars
Au Ver a Soie 124 Soie d Alger
Gentle Art Sampler Threads 0111 Sea Spray
Au Ver a Soie 133 Soie d Alger
Madeira PolyNeon 1638
Classic Colorworks CCT-003 Bamboo
LARGE SPOTS 104 Light Pink
Au Ver a Soie 233 Soie d Alger
Au Ver a Soie 112 Soie d Alger
Au Ver a Soie 126 Soie d Alger
Classic Colorworks CCT-004 Black Coffee
Classic Colorworks CCT-024 Pink Posey
Au Ver a Soie 232 Soie d Alger
FARM FUN PATTERN 900
DMC 3705 Stranded Cotton 

